PINK FLOYD The Final Cut NM- 1983 Columbia QC 38243 THE MASTERING LAB WATERS

Description: Vinyl: EX+ Play Graded. Sounds Excellent! Columbia Photo Labels are Clean and Bright. This is the 1983 Columbia QC 38243 VINYL RELEASE! This is the audiophile acclaimed pressing, Mastered at The Mastering Lab, Hollywood, CA! The last of the Essential Floyd albums, this one picks up where The Wall left off, and could even be considered an Epilogue of The Wall. Atmospheric, dark and brooding. Not for the Casual listener, but rewarding for those willing to take the dive. Dive Deep! See Review Below! In The Dead Wax: On both sides: matrices, etched. Both sides have TML, etched. ((Mastered at The Mastering Lab, Hollywood, CA)) Complete Dead Wax info cheerfully provided upon request. Cover: EX+ (see photos). Gatefold. Front, Gatefold and back of cover artwork and text are rich, clear and bright, with minimal wear. Seams, corners and spine are solid and clean with minimal wear. No splits. No writing. No stickers. Spine print is crystal clear. Goldmine Standards. I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl. (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).U.S. Shipping: $5.99 Media Mail. Tracking included. 50 cents additional shipping per additional item, when the shipment is combined. If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page. Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically. Free domestic shipping if you spend $100 or more! All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. INTERNATIONAL BUYERS! EBAY'S PLATFORM DOESN'T ACCOMMODATE FOR COMBINED SHIPPING FOR INTERNATIONAL BUYERS---BUT DON'T LET THAT STOP YOU!!!---I CAN COMBINE SHIP FOR YOU AND MINIMIZE SHIPPING COSTS!!! TELL ME WHICH ITEMS YOU WANT TO BUY, AND I WILL WEIGH THEM AND THE SHIPPING BOX TOGETHER AND THEN I WILL CREATE A "LOT OF 2..." OR "LOT OF 3...", OR "LOT OF 4...", ETC WITH THE ITEMS YOU WANT, AND CREATE A LISTING WITH THE EXACT WEIGHT OF YOUR LOT. THIS WILL SAVE YOU A LOT OF MONEY!!! IF YOU'RE INTERESTED IN THIS, SEND ME A MESSAGE TELLING ME WHICH ITEMS YOU WOULD LIKE TO PURCHASE AND WE'LL GO FROM THERE. OR, FEEL FREE TO ASK QUESTIONS. I ship internationally through EBay's Global Shipping Program. Check to be sure that they ship to your country. Feel free to ask any questions and happy shopping! Once you're satisfied with your purchase, please leave positive feedback and I will do the same for you. If you're unsatisfied, please let me know so we can resolve it. I do not give partial refunds. Take a look at my previous feedback and buy with confidence. I've qualified for the "Top Rated Plus" seal from eBay, awarded to the most reputable sellers who consistently deliver outstanding customer service. Check my other items this week, check back often & CLICK ON "SAVE THIS SELLER" at the top of my listings page to be notified of New Listings as I will be adding more Rare items in the coming weeks! Thanks! Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer. On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music. The Final Cut Review by Stephen Thomas Erlewine The Final Cut extends the autobiography of The Wall, concentrating on Roger Waters' pain when his father died in World War II. Waters spins this off into a treatise on the futility of war, concentrating on the Falkland Islands, setting his blistering condemnations and scathing anger to impossibly subdued music that demands full attention. This is more like a novel than a record, requiring total concentration since shifts in dynamics, orchestration, and instrumentation are used as effect. This means that while this has the texture of classic Pink Floyd, somewhere between the brooding sections of The Wall and the monolithic menace of Animals, there are no songs or hooks to make these radio favorites. The even bent of the arrangements, where the music is used as texture, not music, means that The Final Cut purposely alienates all but the dedicated listener. Several of those listeners maintain that this is among Pink Floyd's finest efforts, and it certainly is an achievement of some kind -- there's not only no other Floyd album quite like it, it has no close comparisons to anybody else's work (apart from Waters' own The Pros and Cons of Hitch Hiking, yet that had a stronger musical core). That doesn't make this easier to embrace, of course, and it's damn near impenetrable in many respects, but with its anger, emphasis on lyrics, and sonic textures, it's clear that it's the album that Waters intended it to be. And it's equally clear that Pink Floyd couldn't have continued in this direction -- Waters had no interest in a group setting anymore, as this record, which is hardly a Floyd album in many respects, illustrates. Distinctive, to be sure, but not easy to love and, depending on your view, not even that easy to admire.

Price: 44.99 USD

Location: Sonoma, California

End Time: 2024-10-10T05:23:40.000Z

Shipping Cost: 5.99 USD