JOHANN NEPOMUK HUMMEL EDITION 20CD BOXSET NEW SEALED

Description: CD1 Sonata No.1 in C Op.2a No.3 1 I. Allegro spiritoso 7’30 2 II. Adagio 4’20 3 III. Rondo 5’56 Sonata No.4 in C Op.38 4 I. Adagio Maestoso – Allegro mod(era)to 14’16 5 II. Adagio con molto espressione 9’22 6 III. Finale: Prestissimo 6’44 7 Fantasina in C on themes from Le nozze di Figaro Op.124 6’36 Costantino Mastroprimiano fortepianos Urbano Petroselli after Anton Walter, c.1790 (1–6) Érard ‘en forme de clavecin’, 1838 (7) Total time: 54’50 Recording: January 2017, Oratorio di Santa Cecilia, Perugia (1–6) April 2017, Verbania, Italy (7) CD2 Sonata No.2 in E flat Op.13 1 I. Allegro con brio 9’00 2 II. Adagio con grand espressione 6’44 3 III. Finale. All(egr)o con spirito 8’49 Sonata No.5 in F sharp minor Op.81 4 I. Allegro 9’21 5 II. Largo con molt’espressione 9’00 6 III. Vivace 9’20 Costantino Mastroprimiano fortepianos Urbano Petroselli after Anton Walter, c.1790 (1–3) Érard ‘en forme de clavecin’, 1838 (4–6) Total time: 52’21 Recording: January 2017, Oratorio di Santa Cecilia, Perugia (1–3) CD3 Sonata No.3 in F minor Op.20 1 I. All(egr)o moderato 9’10 2 II. Adagio Maestoso – 6’56 3 III. Presto – Ancor più presto 4’51 Sonata No.6 in D Op.106 4 I. Allegro moderato ma rissoluto 12’57 5 II. Un scherzo all’antica: Allegro non troppo 4’17 6 III. Larghetto a capriccio 5’34 7 IV. Finale: Allegro vivace 7’15 Costantino Mastroprimiano fortepianos Urbano Petroselli after Anton Walter, c.1790 (1–3) Érard ‘en forme de clavecin’, 1838 (4–7) Total time: 51’08 Recording: January 2017, Oratorio di Santa Cecilia, Perugia (1–3) April 2017, Verbania, Italy (4–7) CD4 Fantasie for piano in G minor Op.123 on themes by Hummel & Sigismond Neukomm 1 Introduzione 1’09 2 The Hunter’s Song 2’20 3 Marcia 2’55 4 The Bloodhound 2’45 5 The Roaming Mariners 3’04 world-premiere recording Fantasie for piano in E flat Op.18 6 Lento – Allegro con fuoco 8’04 7 Larghetto e cantabile 8’37 8 Allegro assai 4’26 9 Presto 2’15 10 Rondo quasi una fantasiafor piano in E Op.19 8’22 6 Bagatelles for piano Op.107 11 III. La contemplazione 9’03 Fantasia for piano in C WoO 8, S.190 ‘Recollections of Paganini’ 12 Caprice 3’20 13 Quartetto 3’05 14 Rondo 1’40 15 Campanella 1’41 16 Fantasina in C on themes from Le nozze di Figaro Op.124 5’43 Madoka Inui piano Total time: 68’37 Recording: 26–28 July 2005, Studio 3, ORF Funkhaus, Vienna CD5 Amusement Op.108 1 I. Allegro moderato 5’34 2 II. Andante cantabile 3’37 3 III. Rondo: Allegretto 4’48 4 Rondo brillant in G Op.126 17’03 5 Introduction and Variations on a German song Op. posth. 2 13’50 Viola Sonata in E flat Op.5 No.3 6 I. Allegro moderato 8’02 7 II. Adagio cantabile 5’03 8 III. Rondo con moto 6’31 Luigi Bianchi violin (1–5) Stradivari ‘Colossus’, 1716 viola (6–8) Michael Boller, Mittenwald 1778 (Luigi Ghezzi Collection, Rome) Aldo Orvieto piano Total time: 64’33 Recording: 17–19 May 1998, Dynamic’s, Genoa, Italy CD6 1 Grand Potpourri National (Giuliani’s Op.93) 23’54 Claudio Maccari terz guitar Giovanni Togni fortepiano 2 Potpourri Op.53 11’09 Izhar Elias guitar C. Guadagnini, 1812 Michael Tsalka fortepiano J. Böhm, 1820 Grande Sonate in A Op.104 (dedicated to Her Imperial Highness Maria Pavlovna) 3 I. Allegro amabile e grazioso 10’28 4 II. Un poco adagio e con espressione 5’44 5 III. Rondo: Allegro vivace un poco 6’13 Marco Testori cello Costantino Mastroprimiano piano Total time: 57’48 Recording: October 2009, Auditorium BPL, Lodi, Italy (1); 5–6 March & 30–31 August 2015, Museum Geelvinck Hinlopen Huis, Amsterdam, The Netherlands (2); November 2015, Sala ‘Note Romantiche’, Verbania, Italy (3–5) CD7 Flute and Piano Sonata in G Op.2a No.2 1 I. Allegro 6’09 2 II. Romanze: Poco andante 4’42 3 III. Rondo 4’48 Flute and Piano Sonata in D Op.50 4 I. Allegro con brio 7’06 5 II. Andante 2’43 6 III. Rondo pastorale 4’53 Flute and Piano Sonata in A Op.64 7 I. Allegro con garbo 4’53 8 II. Menuetto moderato 4’52 9 III. Rondo: vivace 4’18 10 Grand Rondeau brillant in G Op.126 15’25 Trio in A Op.78 for flute, cello and piano 11 Introduction: Cantabile 3’28 12 Thema: Quasi allegretto 0’53 13 Variation 1 1’16 14 Variation 2 1’14 15 Variation 3 0’47 16 Variation 4 1’41 17 Variation 5 1’00 18 Variation 6 2’38 19 Variation 7: Finale – Rondo 2’43 Lise Daoust flute Elizabeth Dolin cello (11–19) Carmen Picard piano Total time: 75’31 Recording: February 1995, Église Saint-Alphonse-de-Rodriguez, Quebec, Canada CD8 Trio in E flat Op.12 1 I. Allegro agitato 6’48 2 II. Andante 7’19 3 III. Finale: Presto 4’42 Trio in F Op.22 4 I. Allegro moderato 4’19 5 II. Andante con variazioni 5’15 6 III. Rondo alla turca: Vivace 3’56 Trio in G Op.35 7 I. Allegro con brio 5’48 8 II. Tempo di minuetto 4’26 9 III. Rondo: Vivace e scherzando 4’09 Trio in G Op.65 10 I. Allegro con spirito 6’11 11 II. Andante grazioso 5’52 12 III. Rondo: Vivace assai e scherzando 3’49 Daniela Cammarano violin Luca Magariello cello Alessandro Deljavan piano Total time: 62’42 Recording: 25–27 October 2013, Teatro Comunale, Atri, Italy CD9 Trio in E Op.83 1 I. Allegro 12’16 2 II. Andante 7’56 3 III. Rondo 9’58 Trio in E flat Op.93 4 I. Allegro con moto 9’03 5 II. Un poco larghetto 8’03 6 III. Rondo: Allegro con brio 6’40 Trio in E flat Op.96 7 I. Allegro con spirito 7’01 8 II. Andante quasi allegretto 4’10 9 III. Rondo alla russa: Allegro vivace 6’14 Daniela Cammarano violin Luca Magariello cello Alessandro Deljavan piano Total time: 71’26 Recording: 25–27 October 2013, Teatro Comunale, Atri, Italy CD10 Quintet in D minor Op.74 1 I. Allegro con spirito 14’57 2 II. Menuetto o scherzo: Allegro 5’54 3 III. Andante con variazioni 8’29 4 IV. Finale: Vivace 8’29 Quintet in E flat minor Op.87 5 I. Allegro e risoluto assai 9’47 6 II. Menuetto – Allegro con fuoco 5’51 7 III. Largo 2’06 8 IV. Allegro agitato 5’13 Nepomuk Fortepiano Quintet Franc Polman violin Elisabeth Smalt viola Jan Insinger cello Pieter Smithuijsen double bass Riko Fukuda fortepiano Total time: 60’58 Recording: 5–7 July 2009, Westvestkerk, Schiedam (1–4); 20–22 February 2006, Doopsgezinde Kerk, Deventer (5–8), The Netherlands CD11 Septet in D minor Op.74 for piano, flute, oboe, horn, viola, cello & double bass 1 I. Allegro con spirito 14’05 2 II. Menuetto o Scherzo 6’09 3 III. Andante con variazioni 8’31 4 IV. Finale: Vivace 8’14 Septet in C ‘Military’ Op.114 for piano, flute, clarinet, trumpet, violin, cello & double bass 5 I. Allegro con brio 11’12 6 II. Adagio 8’25 7 III. Menuetto: Allegro 5’12 8 IV. Finale: Vivace 5’52 Aya Okuyama (1–4) · Alessandro Commellato (5–8) fortepiano Jacob Bertsche, c.1817 (restored Robert Brown, Salzburg) Solamente Naturali (on period instruments) Sharman Plesner violin (5–8) · Miloš Valent viola (1–4) leader Lucie Dušková flute · Eduard Wesly oboe · Robert Sebesta clarinet Jean-Luc Machicot natural trumpet · Rudolf Linner natural horn Michal Stahel cello · Tibor Nagy double bass Total time: 67’42 Recording: November 2007, Studio of the Slovak National Radio, Bratislava, Slovakia CD12 Piano Concerto No.2 in A minor Op.85 1 I. Allegro moderato 16’19 2 II. Larghetto 4’28 3 III. Rondo: Allegro moderato 11’04 Piano Concertino in G Op.73 4 I. Allegro moderato 8’19 5 II. Andante grazioso 3’40 6 III. Rondo 4’21 Introduction & Rondo brillant in F ‘Le Retour à Londres’ Op.127 7 I. Introduction (Largo) 3’40 8 II. Allegretto vivace 11’19 first recordings on period instruments Alessandro Commellato fortepianos Joseph Böhm, Vienna 1825 Ignace Pleyel, Paris 1837 Solamente Naturali (on period instruments) Didier Talpain Total time: 63’16 Recording: November 2009, August–September 2010, Studio of the Slovak National Radio, Bratislava, Slovakia CD13 Concerto for piano, violin & orchestra in G Op.17 1 Allegro con brio 14’28 cadenza: J.N. Hummel 2 Andante con variazioni (Andante con moto) 9’55 3 Rondo 8’20 cadenza: A. Commellato Alessandro Commellato fortepiano Böhm. Vienna 1825 Stefano Barneschi violin Giacinto Santagiuliana, 1830 Orchestra da Camera Milano Classica (on period instruments) Didier Talpain Piano Concerto No.3 in B minor Op.89 4 Allegro moderato 18’04 5 Larghetto – Finale: Vivace 19’38 Hae-won Chang piano Budapest Chamber Orchestra Támás Pál Total time: 70’37 Recording: 11–13 January 2018, L’Auditorium – Seregno (Monza & Brianza), Italy (1–3); 29–30 May 1987, Budapest, Hungary (4–5) CD14 Piano Concerto No.4 in E ‘Les Adieux’ Op.110 1 I. Allegro pomposo e spirituoso 14’11 2 II. Andante con moto 6’45 3 III. Rondo: Allegro moderato ma con brio 10’57 Hans Kann piano Hamburg Symphony Orchestra / Heribert Beissel 24 Etudes for piano Op.125 4 No.1 0’57 5 No.2 1’23 6 No.3 1’47 7 No.4 1’58 8 No.5 2’04 9 No.6 2’18 10 No.7 1’26 11 No.8 2’04 12 No.9 0’54 13 No.10 1’59 14 No.11 1’21 15 No.12 1’06 16 No.13 1’15 17 No.14 1’42 18 No.15 1’28 19 No.16 2’08 20 No.17 0’57 21 No.18 1’04 22 No.19 1’02 23 No.20 1’03 24 No.21 1’45 25 No.22 4’11 26 No.23 1’18 27 No.24 2’15 Mary Louise Boehm piano Total time: 71’42 Recording: 1973, Südwest Tonstudio, Stuttgart (1–3); 1974 (4–27) CD15 Bassoon Concerto in F WoO 23 S.63 1 I. Allegro moderato 11’21 2 II. Romanza: Andatino e cantbile 7’48 3 III. Rondo: Vivace 7’41 Introduction, Theme and Variations in F Op.102 4 I. Introduction: Allegro 3’17 5 II. Theme and Variations: Allegretto 10’47 Clarinet Quartet in E flat WoO 5 S.78 6 I. Allegro moderato 9’45 7 II. La seccatura: Allegro molto 6’40 8 III. Andante: Andante 7’10 9 IV. Rondo: Allegretto 6’33 Claudio Gonella bassoon (1–3) Diego Dini-Ciacci oboe (4–5) Orchestra Internazionale d’Italia / Diego Dini-Ciacci (1–5) Fabrizio Meloni clarinet · Andrea Pecolo violin · Luca Ranieri viola · Mario Finotti cello (6–9) Total time: 71’04 Recording: 29–30 July 1996. Teatro Alaleona – Montegiorgio, Macerata, Italy (1–5); 18 February 1997, Sala Maffaeina, Verona, Italy (6–9) CD16 Trumpet Concerto in E WoO 1 S.49 1 I. Allegro con spirito 9’16 2 II. Andante 4’28 3 III. Rondo 3’18 Virtuosi Saxoniae Ludwig Güttler trumpet & conductor Mandolin Concerto in G S.28 4 I. Allegro moderato e grazioso 9’11 5 II. Andante con variazioni 5’02 6 III. Rondo 5’50 Edith Bauer-Slais mandolin Vienna Pro Musica Orchestra Vinzenz Hladky Rondo for piano in G ‘La galante’ Op.120 7 I. Introduzione: Larghetto e cantabile 3’02 8 II. Rondo: Allegro grazioso 5’17 Martin Galling piano Violin Concerto in G (completed G. Rose) 9 I. Allegro risoluto 15’21 10 II. Adagio 2’53 11 III. Rondo 9’08 cadenza: G. Rose Alexander Trostianski violin Russian Philharmonic Orchestra Gregory Rose Total time: 73’19 Recording: 14–30 September 2004, Studio 5, Russian State TV and Radio Company KULTURA, Moscow, Russia (9–11) CD17 1 Te Deum in D for choir & orchestra WoO 16 S.70 11’25 edited by Allan Badley for Artaria New Zealand/Schott Music Missa Solemnis in C for soloists, choir & orchestra WoO 12 S.74 Dresden version (1806), edited by John Eric Floreen 2 Kyrie 6’28 3 Gloria 6’25 4 Credo 9’54 5 Sanctus 3’46 6 Benedictus 7’19 7 Agnus Dei 7’01 8 Alma Virgo Op.89a 6’49 Offertorium in F for soprano, choir & orchestra Ed. Symetrie/Lyon based on the Haslinger edition/Vienna (1827) Andrea Cajová soprano · Zuzana Dunajcˇanová alto Ondrej Šaling tenor · Rastislav Uhlár bass Chorus Alea chorus master Branislav Kostka Solamente Naturali (on period instruments) Miloš Valent violin (5) · Eduard Wesly oboe (8) Didier Talpain Total time: 59’12 Recording: September 2007, Studio of the Slovak National Radio, Bratislava, Slovakia CD18 Der Durchzug durchs rote Meer WoO 11 S.33 Oratorio for soloists, choir & orchestra Part 1 1 Intrada 7’32 2 Aus der Tiefe unsers Elends 3’36 3 Recitative: Und immer schwerer lastet das Joch der Sklaverei 1’13 4 Aria: Ich, eurer Vater Gott 5’11 5 Der Herr hat unser Geschrei erhört 3’25 6 Es macht der Herr durch unsern Mund, dir König, seinen Willen kund 1’53 7 Recitative: Verblendet war des Königs Sinn 2’47 8 Aria: Ich schwebe auf des Todes Fittich 2’39 Part 2 9 Recitative: Ein groß Geschrei ging aus 1’30 10 Der Herr hat unser Trübsal geseh’n 5’55 11 Recitative: Sie zogen aus, gewaffnet durch die Wuste 1’19 12 Aria: Und Moses streckte aus die Hand 5’44 13 Recitative: Es warf das Meer die Toten ans Gestade 0’33 14 Jehova ist ein Kriegesheld 7’46 Israelitin/Mädchen: Simone Kermes soprano · Miriam/Eine Frau: Veronika Winter soprano Aaron/Ein Jüngling/Würgeengel: Hans Jörg Mammel tenor Moses: Ekkehard Abele bass · Israelit/Ein Mann: Wolf Matthias Friedrich bass Rheinische Kantorei Das kleine Konzert Hermann Max Total time: 51’12 Live recording: 22 September 2004, Knechtsteden Abbey, Dormagen, Germany CD19 Mathilde von Guise Op.100 revised Weimar version (1821) Opera in three acts · Libretto after Mademoiselle de Guise by Emmanuel Mercier-Dupaty 1 Overture in E flat (Andante – Allegro molto) 6’17 Act I 2 Recitative and aria in A flat: Chi mai saprà spiegar Beaufort 7’40 (Adagio sostenuto – Allegro moderato) 3 Terzettino in A: Con lui solo parlerò 2’06 Baroness · Beaufort · Nicolò (Allegro comodo) 4 Pezzo concertato with choir in A: Il ciel le dia felicità! Chorus 8’46 (Allegro con spirito – Allegro moderato – Tempo di marcia – Allegro vivace) 5 Duet and trio in D: Mi fà felice amor 4’40 Mathilde · Beaufort · Valentino (Allegro con brio – Adagio e cantabile) 6 Finale in E flat: O ciel! Che sento? 11’04 (Allegro – Allegretto – Allegro – Larghetto – Allegro vivace) Act II 7 Duet in G: Tuo amor sol per mè 2’32 Claudina · Valentino (Allegro molto) 8 Scena and aria in B flat: O ciel, che intensi mai? Mathilde 8’33 (Allegro spiritoso – Larghetto sostenuto – Allegro moderato) 9 Trio in E: Rifletter ben fà d’uopo 5’28 Mathilde · Beaufort · Duke (Allegro imposante – Sempre più vivo) world-premiere recording Mathilde: Kristıne Gailıte · Beaufort: Philippe Do · Duke: Pierre-Yves Pruvot Baroness: Hjördis Thébault · Claudina: Eva Šušková · Valentino: Ondrej Šaling Nicolò: Martin Mikuš · Leszensky: Marian Olszewsky Chorus Alea chorus master Branislav Kostka Solamente Naturali (on period instruments) leader Miloš Valent Didier Talpain Total time: 57’15 Recording: September 2008, Studio of the Slovak National Radio, Bratislava, Slovakia CD20 Mathilde von Guise Op.100 revised Weimar version (1821) Opera in three acts · Libretto after Mademoiselle de Guise by Emmanuel Mercier-Dupaty 1 Scene and aria in D: Riuscito sono al fin Duke 5’36 (Allegro con spirito – Larghetto – Allegro – Larghetto dolce – Allegro) 2 Trio in B flat: Il cor brillar mi sento 5’39 Mathilde · Baroness · Beaufort (Allegro giusto) 3 Finale in D: Viva il nostro buon Signor 6’48 (Allegro con brio – Vivace) Act III 4 Vaudeville in G: Venite tutti quanti 3’00 Claudina · Nicolò · Valentino · Chorus (Allegro) 5 Romanza in D: L’ombrosa notte, vien 3’29 Mathilde (Larghetto) 6 Duet in A minor: O ciel! Resistere non posso 5’33 Mathilde · Beaufort (Allegro moderato – Larghetto – Allegro vivo) Hymn in F: Padre nostro, gran Signor 1’08 Chorus (Adagio assai) 8 Pezzo concertato with choir in C: Pria che spunti il nuovo 4’38 Beaufort · Chorus (Allegro – Più presto) 9 Finale in D: Son finiti tutti i guai 1’20 (Allegro vivace) Appendix 10 Overture in C Vienna version (1810) 7’34 (Grave – Allegro con spirito) 11 Pastorale sul palco in D 0’31 for 2 clarinets and 2 horns in a stage performance this would precede the Finale of Act II world-premiere recording Mathilde: Kristıne Gailıte · Beaufort: Philippe Do · Duke: Pierre-Yves Pruvot Baroness: Hjördis Thébault · Claudina: Eva Šušková · Valentino: Ondrej Šaling Nicolò: Martin Mikuš · Leszensky: Marian Olszewsky Chorus Alea chorus master Branislav Kostka Solamente Naturali (on period instruments) leader Miloš Valent Didier Talpain Total time: 45’25 Recording: September 2008, Studio of the Slovak National Radio, Bratislava, Slovakia

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