God: An Anatomy by Francesca Stavrakopoulou (English) Hardcover Book

Description: God: An Anatomy by Francesca Stavrakopoulou "This is a Borzoi book published by Alfred A. Knopf"--title page verso. FORMAT Hardcover LANGUAGE English CONDITION Brand New Publisher Description An astonishing and revelatory history that re-presents God as he was originally envisioned by ancient worshippers—with a distinctly male body, and with superhuman powers, earthly passions, and a penchant for the fantastic and monstrous."[A] rollicking journey through every aspect of Yahwehs body, from top to bottom (yes, that too) and from inside out ... Ms. Stavrakopoulou has almost too much fun."—The Economist The scholarship of theology and religion teaches us that the God of the Bible was without a body, only revealing himself in the Old Testament in words mysteriously uttered through his prophets, and in the New Testament in the body of Christ. The portrayal of God as corporeal and masculine is seen as merely metaphorical, figurative, or poetic. But, in this revelatory study, Francesca Stavrakopoulou presents a vividly corporeal image of God: a human-shaped deity who walks and talks and weeps and laughs, who eats, sleeps, feels, and breathes, and who is undeniably male. Here is a portrait—arrived at through the authors close examination of and research into the Bible—of a god in ancient myths and rituals who was a product of a particular society, at a particular time, made in the image of the people who lived then, shaped by their own circumstances and experience of the world. From head to toe—and every part of the body in between—this is a god of stunning surprise and complexity, one we have never encountered before. Author Biography FRANCESCA STAVRAKOPOULOU is a professor of Hebrew Bible and ancient religion at the University of Exeter. A graduate of Oxford University, her focus is in the history of ancient Israel and Judah--she has also worked in television on the BBC and Channel 4, presenting shows on the historicity of the Bible and the Hebrew Bible, the role of women in biblical times and the development of the biblical text. She lives in Exeter, England. Review "A detailed and scrupulously researched book . . . [Stavrakopoulou] proceeds, in 21 chapters packed with knowledge and insight, to anatomize the divinity from head to toe, starting with the standing stones that marked the footsteps of deities in the Late Bronze and Early Iron Age and ending with images of God that enabled people to imagine that they were somehow communing with him face to face."—Karen Armstrong, The New York Times"Brilliant . . . Fascinating . . . Boldly simple in concept, God: An Anatomy is stunning in its execution. It is a tour de force, a triumph, and I write this as one who disagrees with Stavrakopoulou both on broad theoretical grounds and one who finds himself engaged with her in one narrow textual spat after another . . . Great fun to read . . . A stunning book."—Jack Miles, Catholic Herald"This book is a great rebel shout. . . [A] rollicking journey through every aspect of Yahwehs body, from top to bottom (yes, that too) and from inside out . . . Ms. Stavrakopoulou has almost too much fun."—The Economist"In both Judaism and Christianity God is conceived as non-physical. In God: An Anatomy Francesca Stavrakopoulou shows that this was not yet so in the Bible, where God appears in a much more corporeal form. This provocative work will surprise and may shock, but it brings to light aspects of the biblical account of God that modern readers seldom appreciate."—John Barton, author of A History of the Bible"Good Lord, Stavrakopoulou touches that sweet spot that is scholarly, funny, visceral and heavenly. A revelation."—Adam Rutherford, author of A Brief History of Everyone Who Ever Lived"One of the most remarkable historians and communicators working today."—Dan Snow, author of On This Day in History"In Stavrakopoulous stunning dissection of historical religious texts, the real back-story and context of the God of Judaism and Christianity is revealed . . . Where pious theologians have abstracted him into emptiness, Stavrakopolou gives him back his substance, and hes so much more interesting in this bodily form! Both scholarly and accessible, and full of fascinating stories - I guarantee youll never think of this God the same way again."—Alice Roberts, author of Ancestors"God: An Anatomy is a tour de force . . . Extraordinarily rich and nuanced . . . Stavrakopoulou has taken to heart the biblical injunction to seek the face of God, and what emerges is a deity more terrifyingly alive, more damaged, more compelling, more complex than we have encountered before. More human, you might say."—New Humanist "This is an extraordinary book. Itll rewire your thinking, and its so readable you wont notice till its too late."—Tim Whitmarsh, author of Battling the Gods "Well-researched . . . A refreshing look at ancient Scripture and the people behind it, reminding readers that the concept of God in the 21st century is a world away from that of the earliest people of Israel. A challenging, engaging work of scholarship that sheds new light on ancient Hebrew conceptions of the divine." —Kirkus Reviews"Refreshing . . . The sheer amount of primary evidence examined is staggering . . . Excellent . . . Stavrakopoulous argumentation is intellectually penetrating, analytically robust, and sophisticated . . . Respectful and intrigued . . . Stavrakopoulous book, and her public-facing scholarship, demonstrate what makes an outstanding biblical scholar."—Church Times Review Quote "In both Judaism and Christianity God is conceived as non-physical. In God: An Anatomy Francesca Stavrakopoulou shows that this was not yet so in the Bible, where God appears in a much more corporeal form. This provocative work will surprise and may shock, but it brings to light aspects of the biblical account of God that modern readers seldom appreciate." --John Barton, author of A History of the Bible "Good Lord, Stavrakopoulou touches that sweet spot that is scholarly, funny, visceral and heavenly. A revelation." --Adam Rutherford, author of A Brief History of Everyone Who Ever Lived "One of the most remarkable historians and communicators working today." --Dan Snow, author of On This Day in History "In Stavrakopoulous stunning dissection of historical religious texts, the real back-story and context of the God of Judaism and Christianity is revealed . . . Where pious theologians have abstracted him into emptiness, Stavrakopolou gives him back his substance, and hes so much more interesting in this bodily form! Both scholarly and accessible, and full of fascinating stories - I guarantee youll never think of this God the same way again." --Alice Roberts, author of Ancestors "God: An Anatomy is a tour de force . . . Extraordinarily rich and nuanced . . . Stavrakopoulou has taken to heart the biblical injunction to seek the face of God, and what emerges is a deity more terrifyingly alive, more damaged, more compelling, more complex than we have encountered before. More human, you might say." -- New Humanist Excerpt from Book 1 Dissecting the Divine In June 2018, news platforms across much of the world published a photograph of God. Does THIS photograph show the true face of God? shouted one click-bait headline. Science reveals the face of God and it looks like Elon Musk, teased another. Others, including NBCs website, were rather less sensationalist in their headlines: The face of God is in the eye of the beholder. The photograph in question showed a fuzzy black-and-white image of a middle-aged, beardless Caucasian male, with a soft, rounded face and just a hint of a smile (fig. 1). The image was produced by researchers at the University of North Carolina at Chapel Hill, who showed a demographically representative sample of US Christians a series of computer-generated faces embodying certain cultural stereotypes of emotional, ethical, social and spiritual values, and asked them to select those faces perceived to best reflect their mental image of God. Some of the faces were androgynous in appearance, while some were more feminine, and some more masculine. All the faces were grey, like a black-and-white photocopy, but some were lighter skinned and some were darker skinned. Some faces were expressive, some were seemingly blank. But each face was a canvas onto which the experiments participants were free to project their own assumptions. The results were averaged out and used to create Gods e-fit. Unsurprisingly, the study revealed that in the US, God is made in the image of a white American man. Psychologists and social anthropologists have long understood that a very heavy dose of cognitive bias underlies the construction of the divine in human societies. But while modern studies like those conducted at Chapel Hill can tell us something of the psychological and social processes underlying this tendency, this is hardly news. Over two and a half thousand years ago, in the late sixth or early fifth century bce, the Greek intellectual and adventurer Xenophanes of Colophon had already arrived at a similar conclusion: If cattle and horses or lions had hands, or were able to draw with their hands and do the works that men can do, horses would draw the forms of the gods like horses, and cattle like cattle, and they would make their bodies such as they each had themselves. For Xenophanes, the human tendency to make gods in our own image was as much about local cultural preferences as overarching, lofty ideals, as the diversity of deities in his world attested: The Ethiopians say that their gods are broad-nosed and dark-skinned, the Thracians that theirs have blue eyes and red hair. As far as Xenophanes was concerned, the widespread assumption that the gods had bodies like those of their worshippers was inextricably linked to the notion that deities behaved very much like humans - and this was deeply problematic, for it inevitably cheapened the moral nature of the divine. Proof could be found in the Greek myths themselves: Homer and Hesiod have attributed to the gods everything that leads to blame and abuse among men - stealing, committing adultery, and deceiving each other, Xenophanes complained. It was an objection rooted in his philosophically driven insistence that a god was inherently and necessarily a being in no way like mortals either in body or thought. Similar ideas were soon championed by other Greek thinkers, most notably Plato (c. 429-347 bce), his student Aristotle (c. 384-322 bce) and subsequent generations of their elitist, learned adherents in the Graeco-Roman world, who theorized that the divine power ultimately undergirding the universe and everything in it was necessarily without a body - an incorporeal, invisible, abstract principle, force or intellect, wholly beyond and distinct from the material world. Not that these rarefied views made much of an impact on the religious lives of ordinary folk. Whether they were schooled in philosophy or not, and no matter the deities they worshipped, most people living in the Graeco-Roman world continued to envisage their gods as corporeal beings with bodies shaped like their own - much as they always had. But towards the close of the first millennium bce, and into the early centuries of the Common Era, these erudite philosophical ideas would gradually come to shape the thinking of certain Jewish and Christian intellectuals, so that they began to re-imagine their deity in increasingly incorporeal, immaterial terms, drawing ever-sharper distinctions between the heavenly and the earthly, the divine and the human, and the spiritual and the bodily. It is the broadly Platonic notion of the otherness and unlikeness of the divine to anything in or beyond the universe that has shaped the more formal theological constructions of God in the Western religious imagination. And yet these constructions are built on a conceptual framework very much at odds with the Bible itself, for in these ancient texts, God is presented in startlingly anthropomorphic ways. This is a deity with a body. In the Beginning The high god had already spent several days speaking new marvels into being - separating the primeval waters of chaos into heavenly and underworld reservoirs; bringing forth dry land, planting it with fruit trees and crops; appointing the sun and moon to light day and night; and commanding the new-formed land, seas and skies to bring forth animals, fish and birds. Now, he was about to speak again. Let us make humankind in our image, according to our likeness, he says to the other deities in his retinue. It is more a declaration than a suggestion, but a good idea, nonetheless, for the humans will be tasked with keeping order in the newly created earthly realm. And so the high god makes the very first human: God created the human in his image, in the image of God he created him. The new creature - adam, meaning man or human - bears a bodily resemblance to his divine creator, and is swiftly paired with a female version: male and female he created them. Equipped with god-shaped bodies, humans are rendered superior to the other newly made creatures of the world, over whom they are appointed to rule. Blessing humans with fertility, the high god gives them two tasks: to procreate and dominate. They are to fill this new world with their offspring, and keep the other creatures under control. Satisfied with his creative accomplishments, the high god decides his work is done. The next day, he rests. In academic circles, there is nothing particularly contentious about this paraphrase of the opening chapter of the book of Genesis. Most biblical scholars would agree that when God says, Let us make humankind in our image, in our likeness, he is addressing the other members of the divine assembly - the biblical label given to Gods council of lower-ranking deities and divine beings. And most would agree (even if some might squirm a little) that in being made in the image and likeness of the gods, freshly minted humans bear a visual resemblance to their own deities, just as Adams son Seth is later said to be the image and likeness of his father, and in other biblical texts, divine statues are the image and likeness of the gods they represent.3 Written in about the fifth century bce, but drawing on older mythologies, the creation story that now begins the Bible reflects a time when Yahweh - the deity of Jerusalem, now better known as God - had yet to be imagined as the only divine being in the universe. Like the Babylonian deity Marduk, or the Greek god Zeus, this ancient deity had long been cast as the king of the cosmos, but like them, he was far from alone in the heavens. Above all, he was still several centuries away from becoming the immaterial, incorporeal abstraction of later Jewish and Christian theologies. Instead, he was just like any other deity in the ancient world. He had a head, hair and a face; eyes, ears, a nose and a mouth. He had arms, hands, legs and feet, and a chest and a back. He was equipped with a heart, a tongue, teeth and genitals. He was a god who breathed, in and out. This was a deity who not only looked like a human - albeit on a far more impressive, glamourous scale - but who very often behaved like a human. He enjoyed evening strolls and hearty meals; he listened to music, wrote books and made lists. He was a god who not only spoke, but whistled, laughed, shouted, wept and talked to himself. He was a god who fell in love and into fights; a god who squabbled with his worshippers and grappled with his enemies; a god who made friends, raised children, took wives and had sex. This portrait of God has not been lifted from obscure myths inscribed on long-abandoned clay tablets. It is drawn from the Bible itself - a book as complex as the deity it promotes, not least because the Bible is not a book at all, but a collection of books, falling into two parts. The first is the Hebrew Bible, known in Judaism as Tanakh, and in Christianity as the Old Testament, and it is an anthology of ancient texts, originally crafted as scrolls. Most of these texts are themselves complex compilations of diverse literary traditions, and the majority were composed between the eighth and second centuries bce in Judah, a small southern polity in the ancient Levant - the region we know today as Palestine, Israel, Jordan, Lebanon and western Syria. In the eighth century bce, Judah was a kingdom captured by Assyria; at the beginning of the sixth century bce, it was conquered again, this time by the Babylonians. By the fifth century bce, Judah had become a Persian province, and in about 333 bce, it was incorporated into Alexander the Greats vast empire. Some Hebrew Bible texts tell of Judahs changing political fortunes, while others are stories about legendary heroes and myths about the very distant past. Some are collec Details ISBN0525520457 Author Francesca Stavrakopoulou Language English ISBN-10 0525520457 ISBN-13 9780525520450 Format Hardcover Country of Publication United States Pages 608 Publisher Alfred A. Knopf Year 2022 Publication Date 2022-01-25 Imprint Alfred A. Knopf Place of Publication New York AU Release Date 2022-01-25 NZ Release Date 2022-01-25 US Release Date 2022-01-25 UK Release Date 2022-01-25 Illustrations 16 PP 4C; 57 ILL; 2 MAPS DEWEY 231.4 Audience General We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:141704012;

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