Audix DP8 8-pc Drum Microphone Pack

Description: DJ GEAR INSTRUMENT GEAR LIVE SOUND RECORDING MICROPHONES HEADPHONES ACCESSORIES SOFTWARE LIGHTING BUNDLES Authorized Dealer Audix DP8 8-pc Drum Microphone Pack 8-pc Drum Microphone Pack - Open Box - Description Live Sound Or Recording The DP8 drum pack is a premium ensemble of microphones designed to mic a five-piece kit with accuracy and fine control. Kick, snare, rack toms and floor tom mics feature Audix VLM capsule technology for natural and precise sound reproduction in high SPL applications. The ultra-compact M1280BHC hi-hat mic and M1280B overhead cymbal mics capture complex timbres and wide dynamic ranges. Included are DVICE rim mounts eliminating the need for bulky mic stands. Professional set of 8 drum mics for stage or studio Mics work in tandem to replicate each drum accurately and independently M1280 condensers for overheads and hi hat perfectly reproduce transients and timbre Easy to set up and position Close Miking The D6 for kick drum and the i5 for snare are considered must haves for every drummer. The kick and snare are considered the core of any drum kit and the foundation for every groove. Close miking ensures that they will be captured in the mix. If either the kick or the snare is unable to be heard, there is simply no groove. The D2 and D4 are also industry standards for toms and floor toms. Being high SPL dynamic microphones, the i5, D2, D4 and D6 excel at “close miking”. These four microphones, in conjunction with this miking technique, are guaranteed to capture the attack and percussion sound of each drum. Also, by having the mic close to the source of the sound, it helps to isolate and control the sound of each drum Overhead Miking The M1280B cardioid condenser microphones are perfect for overhead applications. With an extremely small footprint of just 12mm diameter and 67mm in total length, mics become nearly invisible on video or IMAG feeds. The Blend With contemporary music and with the volumes typically generated on stage, it is more practical and effective to create a blended effect of close miking and stereo image of the entire kit from overhead. The D6 will help provide the earthshaking lows and the attack of the kick; the i5 will reinforce the depth and crack of the snare; the D2 and D4 capture the attack and decay of rack and floor toms; the amazing off axis rejection of the M1280BHC is perfect for hi-hat and with M1280B as overheads, drums will maintain their sound integrity and critical presence for both stage and studio regardless of the size of the room or PA system. INCLUDES Packaged Set Of 8 Drum Mics Aluminum Road Case 1 x D6 Kick Mic 1 x i5 Snare Mic 1 x MC1 Mic Clip 2 x D2 Rack Tom Mics 1 x D4 Floor Tom Mic 4 x DVICE Rim Mount 4 x DCLIP Mic Clip 1 x M1280BHC Hi Hat Mic 2 x M1280B Overhead Mics 3 x SMTMICRO Mic clips 3 x CBLM25 3 x WS1218 Foam Windscreen User Tips D6 - Kick Drum To position the D6, a good starting point is a few inches inside the port of the front head with the mic pointing off-center and not directly at the beater. For more attack, move the mic closer towards the beater. For more bass, pull the mic farther away from the beater. The STANDKD is a great accessory to help achieve the perfect position for the D6 i5 - Snare A good starting point is two inches above the rim with the mic pointing towards the center of the head. For more “rim” sound, pull the mic back closer to the rim. For more resonance and depth of field, pull the mic further away from the head. The trick is to find the right balance between resonance and attack while still controlling bleed from the other drums. D2 / D4 - Toms Place the mic about two inches above the head and point the mic across the head towards the center of the drum. This is the best position to capture the fundamental resonance and decay of the drum with minimal ring. Note that the DCLAMP or DFLEX mounts are available to attach the mics to hand percussion instruments or non-conventional rim M1280B - Overheads The most common positioning concept is to keep the snare as the focal point and move the mics into various left and right positions equal distance from the snare; 4 feet is a good starting point. For best results, keep the mics in a vertical position, keeping in mind that you are not necessarily just miking the cymbals but the whole kit. You will find after some experimentation that the kick, snare, and overheads will provide most of your sound while the tom mics are used for sweetening. The M1280B is extremely sensitive so do not be afraid to pick up a majority of the sound through the overheads if the stage volume will allow it M1280BHC - Hi-hat The M1280BHC is extremely sensitive. Be sure the mic is up and away from the area where the cymbals open and close, otherwise the mic will pick up wind noise and sound harsh. Careful positioning will isolate the hi-hat from the rest of the kit and make it easier to feature it in the mix Features/Specs i5 Transducer : Dynamic VLM Type B Frequency Response : 50 Hz - 16 kHz Polar Pattern : Cardioid Output Impedance : 280 ohms Sensitivity : 1.6mV / Pa @ 1k Off-axis rejection : >23dB Power Requirements : None Materials/Finish : Zinc Alloy / Black Finish D2 Transducer : Dynamic VLM Type B Frequency Response : 68 Hz - 18 kHz Polar Patter : Hypercardioid Output Impedance :280 ohms Sensitivity : 1.2mV / Pa @ 1k Off-axis rejection : >30dB Power Requirements : None Materials/Finish : Black Hard Coat D4 Transducer : Dynamic VLM Type D Frequency Response : 40 Hz - 18 kHz Polar Patter : Hypercardioid Output Impedance : 280 ohms Sensitivity : 1.4mV / Pa @ 1k Off-axis rejection : >20dB Power Requirements : None Materials/Finish : Black Hard Coat D6 Transducer : Dynamic VLM Type D Frequency Response : 30 Hz - 15 kHz Polar Patter : Cardioid Output Impedance : 280 ohms Sensitivity : .8mV / Pa @ 80Hz Off-axis rejection : >20dB Power Requirements : None Materials/Finish : Machined Aluminum/ Black Finish M1280B/M1280BHC Transducer : Condenser Frequency Response : 40 Hz - 20 kHz Polar Patter : Cardioid /Hypercardioid Output Impedance : 150 ohms Sensitivity : 10mV / Pa @ 1k Off-axis rejection : -21dB / -23dB Power Requirements : 18-52 V Phantom Materials/Finish : Machined Brass /Black Finish We are authorized dealers for all these brands. 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Price: 1344.99 USD

Location: Winchester, Virginia

End Time: 2024-11-29T21:16:30.000Z

Shipping Cost: 0 USD