Description: Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great Solo instrumentals - Piano Violin Cello Harp, Winds and Brass on 78 rpm recordsClick on this link to see more Solo Instrumental Records! Camille Léo Ernest Decreus A photograph of Eugène Ysaÿe One of the great Violinsts of the 19th century here in one of his rare recordings: SIGNED UNDER THE LABEL Morceaux de salon, op. 32. Rondino Henri Vieuxtemps (composer) Eugène Ysaÿe (instrumentalist : violin) Camille Decreuse (instrumentalist : piano) Description: Violin solo, with pianoCategory: Instrumental12/30/1912 New York, New York 1 Master Columbia 36523SIGNED UNDER THE LABEL Orig Issue Columbia Tri Color 12" 78 rpm record Condition:EXCELLENT light scuffs, playsvery quiet light hiss rare ticksA GREAT COPYEugene Ysaye (July 16, 1858 û May 12, 1931) was a Belgian violinist, composer and conductor. His brother was pianist and composer ThTo Ysa e (1865û1918). BiographyBorn in LiFge, Belgium, Ysa e began violin lessons aged four with his father, and later studied with Joseph Massart, Henryk Wieniawski, and Henri Vieuxtemps. This places him in the Franco-Belgian school of violin playing, which dates back to the development of the modern violin bow by Frantois Tourte. After his graduation, Ysa e was the principal violin of the Benjamin Bilse beer-hall orchestra, which later developed into the Berlin Philharmonic. Many musicians of note and influence came regularly to hear this orchestra and Ysa e in particular, among whom figured Joseph Joachim, Franz Liszt, Clara Schumann, and Artur Rubinstein, who asked that Ysa e be released from his contract to accompany him on tour. When Ysa e was twenty-seven years old, he was recommended as a soloist for one of the Concerts Colonne in Paris, which was the start of his great success as a concert artist. The next year, Ysa e received a professorship at the Brussels Conservatoire in his native Belgium. This began his career as a teacher, which was to remain one of his main occupations after leaving the Conservatoire in 1898 and into his last years. Among his more respected pupils are Josef Gingold, former concertmaster of the Cleveland Orchestra and Professor at Indiana University, the viola virtuoso William Primrose, the violin virtuoso Nathan Milstein (who primarily studied with Piotr Stolyarsky), Louis Persinger, Alberto Bachmann, Mathieu Crickboom, Jascha Brodsky, and Aldo Ferarasi. During his tenure as professor at the Conservatoire, Ysa e continued to tour an ever-broadening section of the world, including all of Europe, Russia, and the United States. Despite health concerns, particularly regarding the condition of his hands, Ysa e was at his best when performing, and many prominent composers dedicated major works to him, including Claude Debussy, Camille Saint-Sadns, CTsar Franck, and Ernest Chausson. In 1886 he established the Ysa e Quartet, which premiered Debussy's String Quartet. As his physical ailments grew more prohibitive, Ysa e turned more to teaching, conducting and an early love, composition. Among his most famous works are the six Sonatas for Solo Violin op. 27, the unaccompanied Sonata for cello, op 28, one Sonata for Two Violins, eight PoFmes for various instruments (one or two violins, violin and cello, string quartet) and orchestra (PoFme TlTgiaque, PoFme de l'Extase, Chant d'hiver, PoFme nocturne, among others), pieces for string orchestra without basses (including PoFme de l'Exil), two string trios, a quintet, and an opera, Peter the Miner, written near the end of his life in the Walloon dialect. Ysa e had been offered the post of music director of the New York Philharmonic in 1898, but declined it due to his busy solo performance schedule. In 1917, he was elected an honorary member of Phi Mu Alpha Sinfonia, the national fraternity for men in music, at the New England Conservatory of Music in Boston. In 1918, he accepted the music director's position with the Cincinnati Symphony Orchestra, where he remained until 1922 and with which he made several recordings. Finally, in 1931, suffering from the extreme ravages of diabetes that had necessitated the amputation of his left foot, EugFne Ysa e died and was interred in the Ixelles Cemetery in Brussels. [edit] Performing career Ysa e with violinAs a performer, Ysa e was compelling and highly original. Pablo Casals claimed never to have heard a violinist play in tune before Ysa e, and Carl Flesch called him "the most outstanding and individual violinist I have ever heard in my life." Ysa e was the possessor of a large and flexible tone, influenced by a considerable variety of vibrato ù from no vibrato at all to very intense. He said, "Don't always vibrate, but always be vibrating". His modus operandi was, in his own words: "Nothing which wouldn't have for goal emotion, poesy, heart." Possibly the most distinctive feature of Ysa e's interpretations was his masterful rubato. Ysa e's rubato is something apart; "Whenever he stole time from one note, he faithfully paid it back within four bars," said the conductor Sir Henry Wood, allowing his accompanist to maintain strict tempo under his free cantilena. This kind of rubato fits the description of FrTdTric Chopin's rubato. Although Ysa e was a great interpreter of late Romantics and early modern composers ù Max Bruch, Camille Saint-Sadns, and Cesar Franck, who said he was their greatest interpreter[citation needed] ù he was admired for his Bach and Beethoven interpretations. His technique was brilliant and finely honed, and in this respect he is the first modern violinist, whose technique was without the shortcomings of some earlier artists. An international violin competition in Brussels was created in his memory: in 1951, this became the violin section of the Queen Elisabeth Music Competition. 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Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. 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Price: 34.99 USD
Location: San Francisco, California
End Time: 2024-11-16T17:24:15.000Z
Shipping Cost: 7.49 USD
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Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: CLICK RIGHT ARROW > FOR CONDITION, Camille de Creus, Camille Decreuse, Eugene Ysaye
Format: Record
Material: Shellac
Type: Single
Genre: Chamber Music, Classical
Record Label: Columbia
Record Size: 12"
Style: Allemande, Ars Nova, Brass, Caprice, Character Piece, Concerto, Duet, Etude, Film Score/Soundtrack, Fugue, Instrumental, Minuet, Music Hall, Nocturne, Octet, Partita, Passacaglia, Prelude, Quartet, Quintet, Rhapsody, Septet, Serenade, Sextet, Sinfonia, Sonata, Suite, Toccata, Trio, Waltz
Speed: 78 RPM
Release Title: Vieuxtemps RONDINO Op 32
Catalog Number: 36523
Sub-Genre: Chamber Music
